In today’s media industry, transmedia storytelling is all the craze. Star Wars, the Marvel Cinematic Universe, Avatar—they all make use of multiple media to tell a single story. But is this approach as dominant as many have claimed? In this talk, Burnett argues that several alternatives exist in today’s franchising scene. He theorizes one in particular, which he calls threaded media storytelling. Properties like James Bond offer numerous serial continuities to “thread” between in distinct media. For decades, this multi-continuity strategy, one that sacrifices transmedial unity, has proven to be a reliable one for franchise storytellers, at times resulting in some rather intricate experiments in multimedia serial plotting.
Colin Burnett received his PhD in Film at the University of Wisconsin-Madison in 2011. His work focuses on the cultural marketplace—the ideas, sensibilities, languages, and social relations that shape how film and media circulate—and its effects on artistic practice, mainly in non-US contexts. His first book, The Invention of Robert Bresson: The Auteur and His Market (2017), re-reads the elusive Bresson style as the product of a subtle form of exchange between the auteur and a confluence of recent aesthetic, literary, theoretical, and cinephilic trends. He is currently at work on a second book, titled Serial Bonds: The Multimedia Life of 007, which investigates the creative “play” the James Bond franchise has fostered among authorized and unauthorized writers and artists around the globe and how this play has resulted in one of the most complex experiments in serial storytelling in the history of the media franchise.
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