LADAMA; a cross-cultural, Pan-American musical collaboration

  • Saturday, September 23, 2017 • 7:30 pm
  • E. Desmond Lee Concert Hall, 560 Music Center

Ladama Project em Recife – Retratos

LADAMA is an ensemble of women musicians from across the Americas who, as well as performing as a touring band, strive to engage youth in their respective communities in the process of music-making, dancing, composition and audio production through collaboration and performance workshops. They are Mafer Bandola (bandola llanera), Lara Klaus (percussion, drums), Daniela Serna (percussion)  and Sara Lucas (voice, guitar). Together they combine the rhythms and traditional instrumentation of frevo and maracatu from Pernambuco, Brazil;  joropo songs from the high plains of Venezuela; cumbia, gaita and champeta from the Colombian coast and contemporary strains of American pop and jazz. Members of LADAMA specialize in, among other instruments, the bandola llanera from Venezuela, the tambor alegre from Colombia, and the pandeiro and zabumba from Northeast Brazil. Their performances include original compositions and traditional songs sung in Spanish, Portuguese and English combining disparate elements into a cohesive whole. The result is a sonic experience through which we can view our future as a world that communicates across continents and cultures, with sound and story.

$15 – Adult
$12 – WU Fac/Staff, seniors, students (non-WU)
FREE – WU Students (limit 1 per ID)

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The women of LADAMA met during OneBeat, a fellowship curated by Found Sound Nation and produced by the State Department’s Bureau for Cultural Affairs. OneBeat brings musicians from around the world to focus on collaboration-based compositions and social engagement as ways to promote cultural diplomacy. In order to continue their work together, LADAMA formed as a way to reach youth and empower women through music making in South America. As activists, educators, producers and performers in their respective countries, their mission this year has been to create deeper roots within their own communities as a music ensemble while weaving a larger, global web. Their performances have been called “transformative” and “transporting”,  and the audience is often asked to participate in their performances.

In the spring of 2015, LADAMA was awarded a $25,000 grant from The Alumni Engagement Innovation Fund through the U.S. State Department’s Bureau of Educational and Cultural Affairs to complete a two-month tour through South America. They were the first arts-based project to receive this award for grass-roots organizing on a global scale As a result they spent all of February and March in Brazil, Colombia, and Venezuela giving workshops to youth in an improvisatory and collaboration based setting. Additionally, they held free performances for the public and residencies in each country to develop original work as a music ensemble. They have worked in partnership with Paco do Frevo in Recife,  Brazil, Casa B in Bogotá, Colombia and Found Sound Nation in Brooklyn, New York.

They are also the recipients of a Creative Exchange Residency Award- granted through The Performing Americas in partnership with RED and the National Performer’s Network. As part of this Creative Exchange Residency they performed and conducted cultural music exchanges with local frevo and maracatu artists, music ensembles and schools for three weeks at Paco do Frevo in Recife, Brazil.

In May of 2016 LADAMA was an artist in residence at National Sawdust in Williamsburg, Brooklyn. There they worked with student dancers, writers and musicians in workshops at El Puente, creating collaborative, original work. This work was presented with the students, live at National Sawdust on May 20th, and was followed by a LADAMA performance. Additionally, The LADAMA Project is the recipient of a 2016 Brooklyn Arts Council grant for Local Arts Support and an Augustine Foundation Award to support their work at La Casita Comunal at Trinity Lutheran Church in Sunset Park. There they held workshops to create sound pieces with students in an after-school setting.

Recent engagements include RecBeat Festival in Recife, Brazil, Teatro Juares in Barquisimeto, Venezuela and Museo Nacional de Colombia, Bogotá, Colombia.

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